Showing posts with label book review. Show all posts
Showing posts with label book review. Show all posts

Thursday, June 11, 2015

We Are All Completely Beside Ourselves

We Are All Completely Beside OurselvesWe Are All Completely Beside Ourselves by Karen Joy Fowler

We are all completely beside ourselves by Karen Joy Fowler is a brilliant depiction of both science and humanity, or rather the contradictions between what we can analyse and what is simply just being.

The story follows the Cooke family: one mother one father, one brother and two sisters. It is narrated by the youngest sister, Rosemary, with its primary focus being on her sister Fern who is, in fact, a chimpanzee. While the novel, like my review, does not immediately reveal that Fern is an ape, it is impossible to review the story, as it is impossible to tell it, without eventually revealing this fact. It is the reluctance, and conversely the need to share this aspect that strikes at the very core of the novel.

Fern is at once a sister, a family member, a loved one -Same and yet also non human, other, an outsider -NotSame. For Rosemary, despite Fern being an ape, there was no other that understood her or that she understood with such certainty as she did Fern.

Fowler expertly combines aspects of the scientific and of case studies - experiments with the grad students, endless notes and theories, with childhood memories and family dynamics inductive of any so-called normal American family. It is with expert skill that she paints Fern as simultaneously subject and family member. It is this paradox that forms the conflict of the novel, and of Rosemary's life in general. While social norms and public opinion portray chimps as simply animals -wild and unpredictable - there is a sense, for the Cookes, that Fern is a vital part of their family dynamic. Truly one of them in so many indefinable ways.

A heartfelt and moving tale, Fowler opens the readers eyes to new possibilities, highlighting interspecies connection without shying away from the devastation, heartbreak, cruelty and confusion that come with bringing a wild animal into a home. Touching on various aspects of behavioural theory - of both apes and humans alike - Fowler challenges our understanding of psychology and behaviour, rights and privileges.

A stunning and emotional novel, We Are All Completely Beside Ourselves is a beautiful take of man's need to know, to understand and our ultimate inability to do so.




Wednesday, June 10, 2015

Hey, Nostradamus


Cheryl is the epitome of teenage piety, her purity running deep and steadfast with a stubbornness indicative of any 17 year old. Jason is everything his father isn't. Impulsive, worldly and antisocial he forges his own way blindly and wholeheartedly, trusting in the love and bond he shares with his girlfriend Cheryl.

This story is about them, and wholly not about them. It is at once a coming of age tale and a commentary on society at large. Focusing on relationships - and especially the familial kind - Hey, Nostradamus explores the complexities of the connections forged through necessity and life experiences. The difference between families we are born into and cannot fully escape, and those we seek out to spend our lives with. It is about innocence, and guilt. Avoidance and acceptance, and above all the overriding presence of Something Else. Of God, of spirituality, or simply of the contemplation of such ideas.

Coupland, as always, has an art for weaving religious or spiritual tones throughout his work in an accessible and unchallenging way. He manages to make the reader question thoughts of morality, sin, innocence and human behaviour without bogging down the narrative. Despite heavy subject matter, -destruction, catastrophe and violence are, as is common for Coupland - evident early on in the novel, the text remains a quick and easy read as it deals with dark subject matter in a frank and instinctively human way. This honesty allows the reader to be honest about their own emotions and beliefs, forming a bond between text and reader without enforcing ideologies onto him or her. It is the honesty and the boldness, never sugar coating events or feelings, that makes Coupland such a wonderful author to read. His tales however outside your realm of circumstance become feasible or relatable in the very reactions characters have to them: ones that by little stretch of the imagination could have been yours.

Furthermore the style of the novel is such that we are part of each narrators mind - starting with Cheryl who speaks so calmly and retrospectively - who draws the reader in with compassion and intrigue alike.

A wonderful balance between family relations, the darkness of a world under siege and the guilts of growing up and accepting or rejecting your parents teaching, "Hey, Nostradamus" is a truly excellent read and a great marker of famous Coupland style.


Monday, May 25, 2015

When God Was a Rabbit

When God was a RabbitWhen God was a Rabbit by Sarah Winman
This book had been one I was hoping to read for years. I'd seen it on book shelves and displays in book stores repeatedly with the vague notion that I would buy it and read it one day. How can the title not intrigue you? pull you in? It did for me, and was a a 'to-read' book that was always at the back of my mind. When i spotted it in my favourite used bookstore Barter Books in Northumberland, it was as though the book gods at bestowed it on me. Hadn't I been meaning to read that all along? And so first began When God Was A Rabbit.

Unfortunately, it was not what I had expected. To be completely frank, I'm not sure WHAT I had expected, but it seemed to me it was if not a different tale, than one with a different voice or tone to it. But, never mind. The main character - a young girl named Elly - was still interesting, and her connection to her brother still paramount. Jenny Penny, Elly's childhood best friend, became both the interest, the heart and the comedy through those early chapters.

But as the novel progressed, it seemed to crumble. Experiences became displaced and as a result, uninteresting. It was difficult to stay attached to a narrative that jumped forward in time without explanation, so that characters became older without an real sense of age or time passing. There were moves geographically both winton England and the US so that by the end I was unsure which country Elly called home. Characters entered, left and reappeared such a fleeting way as to make them trivial or forgettable - I regret to admit sometimes I had a hard time remembering which fringe character was which - and the narrative further complicated this by referring for long periods to a character as "He" or "She" at the beginnings of chapters, therefore making it nearly impossible to know which character was being spoken about aside from through guesswork and inference. It was extremely frustrating as very little detail was given through which such inferences could have been made.

Sexually was often poking up in the novel in such a way that it should have been a theme, really, but it's sporadic and again, random occurrences prevented it from holding any sort of true stock in the novel. This could have been a real grounding factor as her brother's homosexuality and in turn his relation to childhood friend Charlie formed a key connection between characters and in many way created a thread throughout the novel, but the thread lacked substance and connectivity. Similarly, Nancy, Elly's Aunt, was a pillar of confidence and again, homosexuality. She was bold, free and loveable to all characters in the novel and in turn, she loved others - most interestingly, Elly often noticed that Nancy appeared to be in love with Elly's own mother (and Nancy's sister in law).

Relations, sex and love were constantly in question throughout When God was A Rabbit, but ultimately for me, it was this lack of connectivity - between the scenes of the novel themselves and in turn between the novel and the reader, that prevented both a clear theme and any interest in the characters and their lives on my part.

It is a shame, really, because there were glimmers of something I wanted to know in the novel - the pet rabbit who was named God (which after all inspired the very titled of the novel) was a wonderful narrative concept. The juxtaposition of childhood innocence in a pet rabbit and the grandeur of naming him God was beautiful in and of itself. Furthermore God appears to speak to Elly in such a way that only she can hear, which begs questions of spirituality and wisdom that spark a reader's imagination. Unfortunately, this character was not touched on enough or for long enough, in my opinion.

Similarly, Jenny Penny is a wonderfully interesting character full of reckless abandon and joy in the face of what is clearly a difficult childhood. She is lost to the novel and reappears in time like so many other themes and characters in this narrative. For once, though, I feel that story projection fitting. Her disappearance marks growing up, her return a chance to evaluate past and present. the problem, then, was that this storyline did not become the central one of the novel. to me, it was the tale which I could best hold on to - the one i found to be the most interesting, and my biggest complaint was that I did not get enough of it. Jenny Penny and her relationship with Elly became bogged down and tangled in daily chores and random sexual encounters that simply seemed irrelevant to me as a reader. I cared little for Elly and the rambling way she saw life, but her relationship with Jenny Penny - that was where the heart of the novel truly lay, and that was where I feel more of the focus should have been.

I fear that in my review I have done much the same thing I complained about in the novel - jumped around and rambled on in a non-linear and therefore confusing way, but I shall make my final statement thus: the novel lacked focus, and as such, heart. If it were to be stripped down, the fluff removed, and strong clear intention found, there could have been a great story of growing up and losing innocence, but this heartfelt theme got tangled in irrelevancies and therefore became rather irrelevant for me as a reader.
A disappointment, really, I'm sorry to say.