Thursday, June 11, 2015

We Are All Completely Beside Ourselves

We Are All Completely Beside OurselvesWe Are All Completely Beside Ourselves by Karen Joy Fowler

We are all completely beside ourselves by Karen Joy Fowler is a brilliant depiction of both science and humanity, or rather the contradictions between what we can analyse and what is simply just being.

The story follows the Cooke family: one mother one father, one brother and two sisters. It is narrated by the youngest sister, Rosemary, with its primary focus being on her sister Fern who is, in fact, a chimpanzee. While the novel, like my review, does not immediately reveal that Fern is an ape, it is impossible to review the story, as it is impossible to tell it, without eventually revealing this fact. It is the reluctance, and conversely the need to share this aspect that strikes at the very core of the novel.

Fern is at once a sister, a family member, a loved one -Same and yet also non human, other, an outsider -NotSame. For Rosemary, despite Fern being an ape, there was no other that understood her or that she understood with such certainty as she did Fern.

Fowler expertly combines aspects of the scientific and of case studies - experiments with the grad students, endless notes and theories, with childhood memories and family dynamics inductive of any so-called normal American family. It is with expert skill that she paints Fern as simultaneously subject and family member. It is this paradox that forms the conflict of the novel, and of Rosemary's life in general. While social norms and public opinion portray chimps as simply animals -wild and unpredictable - there is a sense, for the Cookes, that Fern is a vital part of their family dynamic. Truly one of them in so many indefinable ways.

A heartfelt and moving tale, Fowler opens the readers eyes to new possibilities, highlighting interspecies connection without shying away from the devastation, heartbreak, cruelty and confusion that come with bringing a wild animal into a home. Touching on various aspects of behavioural theory - of both apes and humans alike - Fowler challenges our understanding of psychology and behaviour, rights and privileges.

A stunning and emotional novel, We Are All Completely Beside Ourselves is a beautiful take of man's need to know, to understand and our ultimate inability to do so.




Wednesday, June 10, 2015

Hey, Nostradamus


Cheryl is the epitome of teenage piety, her purity running deep and steadfast with a stubbornness indicative of any 17 year old. Jason is everything his father isn't. Impulsive, worldly and antisocial he forges his own way blindly and wholeheartedly, trusting in the love and bond he shares with his girlfriend Cheryl.

This story is about them, and wholly not about them. It is at once a coming of age tale and a commentary on society at large. Focusing on relationships - and especially the familial kind - Hey, Nostradamus explores the complexities of the connections forged through necessity and life experiences. The difference between families we are born into and cannot fully escape, and those we seek out to spend our lives with. It is about innocence, and guilt. Avoidance and acceptance, and above all the overriding presence of Something Else. Of God, of spirituality, or simply of the contemplation of such ideas.

Coupland, as always, has an art for weaving religious or spiritual tones throughout his work in an accessible and unchallenging way. He manages to make the reader question thoughts of morality, sin, innocence and human behaviour without bogging down the narrative. Despite heavy subject matter, -destruction, catastrophe and violence are, as is common for Coupland - evident early on in the novel, the text remains a quick and easy read as it deals with dark subject matter in a frank and instinctively human way. This honesty allows the reader to be honest about their own emotions and beliefs, forming a bond between text and reader without enforcing ideologies onto him or her. It is the honesty and the boldness, never sugar coating events or feelings, that makes Coupland such a wonderful author to read. His tales however outside your realm of circumstance become feasible or relatable in the very reactions characters have to them: ones that by little stretch of the imagination could have been yours.

Furthermore the style of the novel is such that we are part of each narrators mind - starting with Cheryl who speaks so calmly and retrospectively - who draws the reader in with compassion and intrigue alike.

A wonderful balance between family relations, the darkness of a world under siege and the guilts of growing up and accepting or rejecting your parents teaching, "Hey, Nostradamus" is a truly excellent read and a great marker of famous Coupland style.